THE REVIVALIST EXPLORES THE INTERSECTION OF HIP HOP & JAZZ WITH BITCHES BREW PROFILE, CELEBRATING 40TH ANNIVERSARY OF MILES DAVIS'S JAZZ-ROCK-FUNK FUSION MASTERPIECE, FEATURING VINCE WILBURN, JR. (NEPHEW OF MILES DAVIS) AND DJ LOGIC
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Find out what they had to say on the Miles Davis Podcast series on Jazzonline.com
By 1967, when this intimate portrait of Miles Davis was captured by Columbia Records VP of Creative Services Bob Cato, the trumpeter was in another golden era, working with his "second great quintet," a lineup which included Wayne Shorter (saxophone), Herbie Hancock (keyboards), Ron Carter (bass) and Tony Williams (drums). Cato had worked as the photographer on E.S.P., the quintet's first studio album for Columbia Records, in 1965.
In this special triptych sequence, Miles Davis takes five and grabs a smoke at the mythic 30th Street Studio between takes for "Kind Of Blue." Don Hunstein's photograph catches Miles first in mid-inhale, then, the next two photographs capture the musical jazz master working out one of the legendary songs from this historic session, the musical zen master ringed by white light suspended in a temple of sound.
From May 6 - May 27, 1957, Miles Davis booked a series of sessions at Columbia's 30th Street Studio to work on "Miles Ahead," the first of his collaborations with arranger/composer Gil Evans, who wove together the album's ten individual pieces into a continuous jazz suite. "Miles Ahead" marked a turning point in American jazz. Don Hunstein's shot of Miles captures both the intensity and flow of the music. For more information, check out http://bit.ly/milesweeklypic11
The consummate artistry of Miles Davis and the scope of his musical vision at Columbia Records is paid the ultimate tribute on THE GENIUS OF MILES DAVIS. For the first time, this new collection brings together the eight deluxe multi-CD box sets that were known as The Miles Davis Series.
Bitches Brew 40th Anniversary Collectors Edition comes out August 31, but you can pre-order your copy now at MilesDavis.com.
In 1959, trumpeter/band leader/composer Miles Davis assembled a sextet of legendary players, Cannonball Adderley (alto sax), Paul Chambers (bass), Jimmy Cobb (drums), John Coltrane (tenor sax), Bill Evans (piano) (Wynton Kelly plays piano on "Freddie Freeloader") to create "Kind of Blue," a sublime atmospheric masterpiece which continues to transport listeners a half century since its release.